After Hours is a very strange, darkly comedic night time adventure in Soho, where misfortunes befall a man all night long. I love how nervous he was the entire movie. Scorsese and editor Thelma Schoonmaker cut down “After Hours” from over two hours to a lean 97 minutes, resulting in a film that’s all nervy energy and jittery rhythms. "After Hours" is not routinely included in lists of Scorsese's masterpieces. In 1983, “The Last Temptation of Christ” fell apart when Paramount pulled the plug weeks before filming was about to start, and Martin Scorsese needed to make something, anything, to keep his career going. (Courtesy Warner Bros./Photofest) Scorsese was all but finished in Hollywood when he made “After Hours.” But I recall how I felt after … How to Explain the Most Surprising Twists of This Year’s Oscar Nominations, Solve for Why: The Imaginary Numbers of Streaming — TV Podcast, Why Anyone Who Claims to Know the Future of Movie Theaters Is Wrong, What Does a Childhood Memory Look and Sound Like? From what I could tell most of the characters would have been lucky to have an apartment with a separate room for a bedroom. The amount of time and effort put into the most innocuous, unnecessary moments (especially the carefully timed camera drop to follow a tossed key) confirm that Scorsese’s larks are more thoroughly mapped and considered than some magnum opuses. AFTER HOURS marks the first collaboration between Scorsese and cinematographer Michael Ballhaus, who would go on to lens a majority of Scorsese’s future works. Change ), I have finished The Wire and in turn I will be doing my last analysis of the montage that ended the season. Gangsters. After Hours really must be seen to be believed, and stands as arguably Scorsese's weirdest film. Scorsese: After Hours. Paul Hackett's (Griffin Dunne) terrible night happens in the SoHo area of downtown Manhattan when he goes to keep a date with Marcy (Rosanna Arquette). As ever, the ostensibly apolitical filmmaker produces a work that summarizes its time, a vision of a desperately maintained Reagan-era fantasy of capitalist overwork eroded by, then rebuilt around the carnal pleasures hidden by that system of labor value. After graduating, Scorsese went to Hollywood where he worked with Roger Corman to complete his second feature film, 1972’s Boxcar Bertha. DeNiro. It really plays into the dark humor that is presented throughout the film. Devastated by the cancellation, he had to throw himself into a new project, immediately (“I’ve got to work. The nightmarish comedy starting Griffin Dunne is a love-it-or-leave-it for many Scorsese fans, but the fast shoot schedule and claustrophobic story rejuvenated Scorsese and won him Best Director kudos at Cannes. ( Log Out /  https://ephemeralnewyork.wordpress.com/2013/01/31/what-a-downtown-or-brooklyn-rental-cost-in-1983/, Interview with Director/Writer of “Great Choice”, Robin Comisar, Interview with Director/Writer/Starring Actress of “Gold Star”, Victoria Negri, Interview with the Director of “Salmonella”, Michèle Deslauriers, Great Choice: Bizarrely Brilliant (Review & Interview with Filmmaker Robin Comisar), The Deuce, “What Kind of Bad?” You Need to Know, The Deuce, “See Money” Importance of the Opening Scene, The Deuce, “The Principle Is All” Coming into The Story, The Deuce, “Show and Prove” Wire Problems, The Deuce, “Pilot” Establishing the Universe, Gold Star: An Incredibly Personal Debut (Review & Interview With Filmmaker Victoria Negri). With the night Paul had it is easy to see why work looks like heaven to him now. Martin Scorsese's After Hours is a dark, tragi-comic tale of a fish out of water, centering on an uptight, white-bread computer consultant from uptown Manhattan who finds himself in the nightmarish and incomprehensible (to him) world of Soho after dark. More painfully, his dream project, The Last Temptation of Christ, had been cancelled by Paramount at the eleventh hour just before he was to start p Paul himself is mostly the outsider observer type there to experience weird stuff and comment on how weird it is. They are the ones that change us and give us things to talk about. 1: A Round of Awesome, The Wire, “-30-“ The Vicious Cycle Way Down in the Hole. The film After Hours by Martin Scorsese is a simply an incredible journey that viewers take and then wonder what all of it meant. I truly loathe this city. It lacks themes of violence (Mean Streets, Taxi Driver, Raging Bull, Goodfellas, Cape Fear, Casino, etc.) Review by RAY ★½ . Sign up for our Email Newsletters here. Interviews with leading film and TV creators about their process and craft. After Hours (1985) Roughly three-quarters of the way through After Hours, its beyond-frazzled hero, Paul (Griffin Dunne), gets asked why he doesn’t just go home. ), and eventually turns most of the neighborhood against him. Racing across images, like a dog straining at a leash, to scrutinize small details, or watching with rapt attention as a $20 bill floats to earth, the camera plays the role of a narrator whose manner is amused, skeptical and not at all inclined to allow itself to become sentimentally involved. Griffin Dunne plays a New York yuppie who, after meeting Rosanna Arquette in a cafe, goes to her SoHo apartment late at night, only to find himself in for a night of misfortune. Week. ( Log Out /  A friend described After Hours as a movie he always saw the cover for at the video store back in the day, and always thought it was a silly 80s comedy. Obviously the gates look different this time as the image of them opening is seems to represent gates of heaven. Half way through the episode I started to think that it would be great to have the first version of the theme song playing during the last montage. This showed how messed up Scorsese’s life was at the time, and it showed how much his life was spiraling. Amazon.de - Kaufen Sie After Hours günstig ein. It’s Scorsese’s chance to channel his own misfortunes into a film, then laugh them off. Read more. These are the entities we generally associate with the cinema of Martin Scorsese. Very different. Posted By Sam "Burgundy Suit" Scott on March 9, 2015 in Features | 4 Responses Everyone knows Martin Scorsese loves New York City, but that doesn’t quite sum up all his feelings about it. Martin Scorsese's After Hours Marion Faber Swarthmore College, Pennsylvania The filmed version of a work of literature is not usually the best tool for familiariz-ing a student with that author's work. This generates the film’s sinister undertone, as in a scene where he tries to explain all the things that have befallen him, and fails, perhaps because they sound too absurd even to him. Live Streaming. There was alot going on, and Robert De Nero held the spotlight once again. More thoughts from the Criticwire Network:Edward Copeland, Edward Copeland’s TangentsFor the uninitiated, to spoil much more of the plot developments would ruin the twisted fun of a truly unpredictable comedy, a comedy that will tie your stomach in knots as you wonder whether or not Paul Hackett can survive this evening or not. It’s interesting that you found some parts of the film and Paul’s character hilarious. Create. This is what makes the dialogue in the film so amusing. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. It’s not the cleanest of prints, and many colors come off pretty muted, but on the positive side the dark range (and there’s a fair amount of it) is solid. It does comment that he is ignoring the needs of others around him, drawing connection to him and them, but the enjoyment of watching really comes from the people he meets and their strange relationship with him and each other. I also agree with what you said about how the people he meets are the most interesting part of the film and I think it can be said for real life. Stay on top of the latest breaking film and TV news! Schoonmaker’s editing and Michael Ballhaus’s camerawork actually serve as a punchline to some of best jokes, like Dunne insisting to a cab driver that there’s no need to rush, only for the camera’s frame rate to speed up to look like it’s racing like a bat out of hell, or a series of dissolves that show Dunne soliloquizing about his insane night to a bored listener. After Hours (Scorsese Collection) (DVD) When an uptown New Yorker innocently meets a downtown girl, he's uncontrollably drawn into a vortex of wild, malevolent and paranoid adventures After Hours. Was it just a bad night out for Paul? He was put through one hell of a night and it kept your attention throughout. At what I assume was Mr. Scorsese’s direction, Mr. Ballhaus’s camera takes on an aggressive, willful personality of its own. It also possesses an indie spirit that showed he was capable of turning out big-budget spectacles as well as bizarre little trips into the dark side of New York.After Hours Despite this, I’m sure that I will learn to appreciate the film even more over time. Gangsters. To outsiders, it plays as a paranoid fantasy, but Scorsese claims that locals have no trouble believing it. The Wire, “Late Editions”: You Remember Mike? The script he picked, “Lies” by Joseph Minion, was mostly an excuse to shoot something quick and cheaply like he did back in his film school days. I believe that this idea is presented much earlier when Paul leaves he work through the huge gates. Sign Up: Stay on top of the latest breaking film and TV news! Well, that was until I knew how confusing it would… Some found “The King of Comedy,” Martin Scorsese’s vehicle for Jerry Lewis, baffling when it opened in 1983. But “After Hours” turned out to be one of the director’s most stylistically adventurous films, and one of his funniest. "For New Yorkers, parts of the film will no doubt play as a documentary. This whole movie does a great job of showing off the eccentricity of people and how no two people are ever the same. After the first take was done, producer Amy Robinson, director Martin Scorsese, and cinematographer Michael Ballhaus refused to do the shot like that again for fear of Dunne's safety. Another of those chance juxtapositions I described in last month's column? Is Paul in this weird version of hell where going out is a nightmare and work is the best part of the day? The drain of big movies and his unsuccessful first attempt to make The Last Temptation of Christ left the auteur doubting his talent. And then there’s After Hours, about as literal a picture of hell as you’ll get in a Scorsese picture, set in the greatest city on earth in the time most people are most excited to be there. When I finally caught up with this remarkable film, what immediately struck me was how closely it anticipated an actual black comedy: Martin Scorsese's After Hours (1985). But whatever the case may be, I took one main thing from this film, STAY AT HOME!!! Here is a link for an article that shows newspaper ads for apartments in 1983: How ‘Minari’ Found the Answer, The Visceral Cinema of ‘Sound of Metal’ Was Rooted in an Immersive Set, Oscar Cinematography Survey: Here Are the Cameras and Lenses Used to Shoot 32 Awards Contenders, 35 Must-See New Movies to See This Fall Season, 40 Indie Horror Movies Now Streaming, from ‘The Witch’ to ‘Midsommar’, ‘WandaVision’ Is the Weird Disney+ ‘Hit’ That Could Change Streaming’s Future, Ava DuVernay: True Success for Inclusive ARRAY Crew Database Will Be When It’s No Longer Needed. Some found “The King of Comedy,” Martin Scorsese’s vehicle for Jerry Lewis, baffling when it opened in 1983. Dunne loses his money, inadvertently causes a suicide, becomes a suspect in a series of robberies (committed by Cheech and Chong! Meanwhile, He continuously comes across the strangest people who will not leave him alone. In the first 4 seasons, The Wire felt like it’s own thing that rarely felt over the top or outside of reality. The relationship he has with every person he meets is unpredictable. Make social videos in an instant: use custom templates to tell the right story for your business. Martin Scorsese’s After Hours: What does it mean? I do appreciate as well as you that all the characters are equally bizarre in their own way. Throughout the entire movie viewers will constantly see Paul surrounded by bars or cages. I’m not really good with who directed what, but when I found out Scorsese directed Shutter Island and Wolf of Wall Street I knew I was really going to like After Hours. 25th Oct 2011; Following the amazing The King of Comedy, Martin Scorsese decided to stick with the genre and added a new layer of a nocturnal odyssey on top for good measure.After Hours is undoubtedly Scorsese’s most beloved cult hit although it was given the cold shoulder by audiences on its original release. Review by Clayton Purdom ★★★½ . The Wire, “Clarifications”: Rest in Peace Omar Little, The Wire “Took”: The Difference with Season 5, The Wire, “The Dickensian Aspect”: An Underrated Episode. After Hours by Martin Scorsese a movie to download on LaCinetek. Like The Trial but bad and not funny. You mentioned the dialogue being very interesting and I could not agree more. A true auteur, Scorsese put his distinctive stamp on his projects, including the stellar director-for-hire work on 1974's Alice Doesn't Live Here Anymore and 1985's After Hours.Alice's story of female independence and self-realization inspired an awful sitcom, but Scorsese and star Ellen Burstyn give the film an edgy, foul-mouthed toughness that's resolutely unfit for television. What’s Not to Love? A friend described After Hours as a movie he always saw the cover for at the video store back in the day, and always thought it was a silly 80s comedy. For Scorsese was one of Wake in Fright's earliest champions; after selecting it as a Cannes Classic in … This Article is related to: Reviews and tagged After Hours, Catherine O'Hara, Criticwire Classics, Griffin Dunne, Martin Scorsese, Rosanna Arquette. Considering all of this I will be giving After Hours 4.5 out of 5 stars. After Hours was a rollercoaster to say the least. It’s awkward, funny, and sort of scary even all at the same time. Griffin Dunne is absolutely hilarious at portraying Paul’s frustration in these encounters, as it will make you laugh and feel bad for Paul. A true auteur, Scorsese put his distinctive stamp on his projects, including the stellar director-for-hire work on 1974's Alice Doesn't Live Here Anymore and 1985's After Hours.Alice's story of female independence and self-realization inspired an awful sitcom, but Scorsese and star Ellen Burstyn give the film an edgy, foul-mouthed toughness that's resolutely unfit for television.

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