“I would say that it’s not a once-a-decade thing,” says Puja Patel, Pitchfork’s editor-in-chief since 2018. “I saw them play a show at the Knitting Factory where they trashed everything and yelled at us,” is how Matt LeMay, a New York City teenager in the early 2000s, now describes a formative experience with the Austin garage-rock band ...And You Will Know Us by the Trail of Dead. In the world of music today, many critics have found it difficult to find anything new, original, or extraordinary to rave about in such a way that makes readers take notice, listeners feel something different, and the general concept of music feel forever changed. “What we crave from her is the brazen tell-offs and the very intimate, confessional-style songwriting, and what we crave from Kanye is, like, nonsense. Mama June and Boyfriend Geno Are Still Together Following Their 2019 Arrests, Here's Everything You Need to Know About David Beador's New Wife and Baby Mama, The First Trailer for 'The Suicide Squad' Was Just Released and It Revealed Some Major Plot Details, Here's How to Add a Voiceover to Your TikTok Video. As Trail of Dead’s Reece points out, the site’s influence exploded as the 2000s went on, and the records and artists it championed, from Broken Social Scene to Arcade Fire to Animal Collective, often plotted along that Ambitious Indie Rock axis. Fiona Apple - Fetch the Bolt Cutters. My rating: 10 Funny that Richard D James hates Radiohead, because I would never have discovered his music so early if it wasn't for growing up with Kid A. The Velvet Underground & Nico - The Velvet Underground & Nico. They wrote, “Kanye's big year culminates in an LP that feels like an instant greatest hits, the ultimate realization of his strongest talents and divisive public persona.”, Another album to garner a perfect score was Radiohead’s 2002 release, Kid A. Presenting ingenuity with the use of computers to create the music, the music publication pretty much proclaimed Radiohead the best band of all time. Some good releases at the top, but the depth was absent. and Walt Mink’s El Producto, both from 1996, both noisy and ambitious local rock bands made good. I think you get a little bit gun-shy. And from a startled reader’s perspective, a line like, “The experience and emotions tied to listening to Kid A are like witnessing the stillborn birth of a child while simultaneously having the opportunity to see her play in the afterlife on Imax” still holds up two decades later precisely because of how outlandish it’s willing to be. Also for the record, Schreiber wonders now whether the 10.0 for Source Tags & Codes accidentally did the album a disservice. You could count Girls Girls Girls and Yo Yo Buddy Yup Yup Word to Ya Muthuh as part of this entry of the list, but let's be honest, Exile in Guyville is the album Pitchfork wanted to honour, not the other stuff. And you can't wait to dive back in and try to prove that wrong over and over.”. This is my second favourite album and one that I measure many others by. (“My love of it has only grown,” she says. Heaven or Las Vegas. I understand some of the Perfect 10 scores are for album reissues that include bonus tracks and demos. Full Review →. And then he sat on a futon and wrote what is still very likely Pitchfork’s single most famous review, a 10.0 rave (“Comparing this to other albums is like comparing an aquarium to blue construction paper”) that in March got its own Billboard 20th-anniversary retrospective that credited it with changing rock criticism forever. Again, my rating is first, followed by Pitchfork’s. This review, of Kanye West’s ostentatious 2010 album, goes down in history not only for being the first perfect 10.0 score to be award by Pitchfork in eight years, but also for causing a hilarious tweet-storm of outrage. Just because, if you don’t, it kind of loses some of its meaning if everything is around the same score.”. (Shout-out to late April’s Talking Heads Day.) If the list OP posted is incomplete please post the album and a link to the review and I will add it to the playlist. Glenn Gould - The Goldberg Variations. 4: 4. Glenn Gould - Bach: The Goldberg Variations. (“I think that you would very easily, naturally puncture the dudeliness of it,” Patel says, “if you were being open-minded.”) It is critically useful, and if you’re so inclined maybe even fun, to muse as to how Fetch the Bolt Cutters will hold up a year or even a decade from now. Last month, Fiona Apple joined an exclusive club when her album ‘Fetch the Bolt Cutters’ received a real-time perfect score on the most vital and polarizing music publication of its era. The list is short in comparison with how many records they’ve actually reviewed! The last album to earn a quote-unquote perfect 10.0 upon initial release was Kanye West’s My Beautiful Dark Twisted Fantasy, reviewed by longtime features editor Ryan Dombal in 2010, and praised as “a blast of surreal pop excess that few artists are capable of creating, or even willing to attempt.” The nearly 10-year drought that followed gives you some sense of the momentousness of this occasion, and how bizarre and vexing and fascinating this pantheon—which now bonds Apple to the likes of Radiohead, Wilco, ...And You Will Know Us by the Trail of Dead, Will Oldham, and a few luminaries from the late-’90s Minneapolis rock scene—has become. I mean, people listen to Pitchfork, so they were like, ‘Yeah, these guys suck.’ Whereas in Europe that actually opened more doors for us. And I’m glad to be participating in culture at a time when people understand that Fiona Apple is a genius.” And her fellow geniuses, presumably, are glad to finally have some company. Read why in the link in our bio. “I have stumbled, quite absentmindedly, upon one of the best albums I’ve ever heard,” is how Schreiber’s El Producto review begins. And it was Pitchfork’s first real-time 10.0 in the better part of a decade. “I was like, ‘Whoa, this guy totally fits my profile, fits my vibe.’”, By 2000, DiCrescenzo, by then one of Pitchfork’s most prominent writers, had relocated from Atlanta to join Schreiber in Chicago, and found himself painstakingly downloading, via “Limewire or Napster or whatever,” each individual track off Radiohead’s Kid A. “I do think that its significance is lost if we overuse it, obviously. Kerrang! James Brown - Live at the Apollo. I was writing for a hyper-niche audience on a platform nobody understood yet. ("Perfect Places" by Lorde) ("LMK" by Kelela) Kelela started out as the face and voice of a loosely organized squad of underground bass producers, but on Take Me Apart, her magnetic presence takes center stage. In 2009, the site did away with this method and instead opted to simply review tracks, while giving some a label of "Best New Track.". No one is too good for this album; it is better than all of us.”, “It wasn’t something that we had to sell or endorse or give a big platform to,” says Sirota, now a history professor at NC State. Pitchfork Contributor Brent DiCrescenzo wrote, “When the headphones peel off, and it occurs that six men...created this, it's clear that Radiohead must be the greatest band alive...Breathing people made this record! In it, instead of assigning tracks a particular rating, reviewers simply label them one of the following categories: "New Music," "Old Music," "Video," "Advanced Music," "Rising," "WTF," "On Repeat" (the category of their most favorably regarded songs), and "Delete" (for the least favored songs). As of a year ago, Pitchfork had reviewed over 20,000 albums and only 128 of those were awarded perfect 10 reviews. “But we did it to say, like, ‘Yes, these are great stories, and there’s a kind of mythology to this. “And as anyone who’s seen the mixed-bag crowd at Wilco shows knows,” Sirota wrote, “it will find a home in the collections of hippies, frat boys, acid-eating prep schoolers, and the record store apparatchiks of the indiocracy. I think that we should be using the higher end of the scale more frequently than we have, and the lower end of the scale more frequently than we have.”, The baton pass from West to Apple is fraught with symbolism all on its own, and the classic idea of perfection, as anyone who has recently slogged through the interminable Chris Rock bit on the deep cut “Blame Game” can attest, does not readily apply to My Beautiful Dark Twisted Fantasy, either. Distractify is a registered trademark. How did the distinction come to mean so much? Do we think that this is her best album ever?’ So, it’s a lot of kind of contextualizing it against itself.”. “We considered the rating for a lot of albums over the years, and I think we’d have been on the right side of history with most of them.”, But LeMay, now an author and tech-world consultant, has a more complicated relationship with Trail of Dead and his 10.0 review for the band’s brash and cacophonous 2002 major-label debut, Source Tags & Codes, which “will take you in, rip you to shreds, piece you together, lick your wounds clean, and send you back into the world with a concurrent sense of loss and hope,” he wrote at the time. On the plus side, it does make this pitchfork easier to hang in your shed. But that only binds that record tighter, in indomitable spirit, to Fetch the Bolt Cutters. “Sometimes people think that the points go up and down because, like, ‘Ah, there was a really good beat on this track’ or ‘This lyric earned it another tenth of a point,’ and breaking it down really granularly like that,” Pelly says, chatting on the phone in late April. New releases to look forward to in the coming months, from SZA, Drake, Lana Del Rey, Lorde, and others. “A lot of music nerds were definitely—that’s where they went to go find, I guess, whatever was cool at the time,” Reece says. But we were just these nobodies trying to be something on a pretty nascent format. Instead, life spirals. Wilco’s Yankee Hotel Foxtrot, officially released in April 2002 after an infamous deluge of music-industry bullshit, was another instance of a critically adored band dropping an instantly mythic record. But the record, in all its chaotic focus and feral tenderness, still got one unexpected reaction: It inspired the first real-time Pitchfork 10.0 review in almost a decade. “If you look at a 10.0 as a personal evaluation of quality in the moment, then yes, I gave it the score that I felt it deserved at the time,” LeMay says now. First with her album Post in 1995, and then again in 1997 with Homogenic. “And if you would’ve asked the staff of Pitchfork in 2005 if they would’ve said, ‘Fiona Apple’s an unequivocal genius—she’s narrating teenage girl pain across the world,’ I don’t know if they would’ve agreed with that. His G.O.O.D. “There are plenty of imperfections on the album, which is why it sounds so authentic, and that’s what we want from Fiona,” Patel says. © Copyright 2021 Distractify. Icelandic singer, songwriter, Björk, has received the "perfect 10" nod twice. But I think that if anything, it’s a challenge for us to find music that is perfect. “So my opinion was generally more like,”—he breaks into a deadpan—“‘Well, it’s cool. I really had no trouble at all coming up with the list itself. I found it often had a negative effect on how these records were perceived by readers, and I thought in the case of Source Tags & Codes, maybe it wasn’t given a chance to come into its own because people were so put off by that statement.”, There was no concern, in 2010, with overburdening Kanye West’s My Beautiful Dark Twisted Fantasy with expectation. We care about his ego, and if that’s not present, then it’s not interesting. Smashing Pumpkins Fridays promo strategy of doling out one free track a week (shout-out to the “Power” remix) stands now as quite possibly the last tolerable album rollout in history, from anybody, but for West especially. The following is a list of albums that Pitchfork gave a 10 during the album’s initial release — you might say they’re pitchfork-perfect. “Over the past few months, Kanye has intermittently tried to flush away his rep as a boorish egoist in interviews and on Twitter, which is, fortunately, impossible,” he wrote, soon adding, “In his public life, he exhibits vulnerability and invincibility in equal measure, but he’s just as apt at villainy—especially here.”. Pitchfork's 50 Best Albums of 2020 50. Many more albums have been given a 10.0 following a reissue or the publication of a retrospective review. In her opinion, two previous Apple records, 1999’s When the Pawn… and 2012’s The Idler Wheel..., are 10.0s, as well. 102: 102. As for album reviews, those are given a rating from 0 to 10, specific to one decimal point (ex. This isn't the place for sentimentality so I'll keep it short. People's Instinctive Travels and the Paths of Rhythm. “I mean, in 2002, it was still kind of a fringe website,” says founding Trail of Dead member Jason Reece, chatting on the phone amid self-quarantine home-schooling, the tour for the band’s 2020 album X: The Godless Void and Other Stories long since postponed. The game is rigged, power corrupts, and society is, in a word, bullshit. (Full disclosure: In 2002, I got a speeding ticket on an Ohio freeway whilst rocking out too hard to Source Tags & Codes. Here's the Fetch the Bolt Cutters track list: 5. In the mid-2000s, Pelly tried to use Apple’s famous declaration that “This world is bullshit” as her high school yearbook quote, and settled for “Go with yourself,” from that same notorious MTV VMAs speech, instead.

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