LCD Soundsystem – All My Friends ; M.I.A. It doesn’t matter—the song is light and loose enough to capture both. He’s got nice things, but he’s not going on and on about it. The song’s punky disco bounce is less an invitation to pose for the paparazzi than the soundtrack to a daily drill of skincare routines and make-up applications. El Guincho, who co-produced this and much of Rosalía’s breakthrough album El Mal Querer, also adds a brief vocal, his contribution a reminder of his days as a solo star in the Iberian underground. But standing tall among them was “Dumebi.” “Dumebi” feels both traditional and new. That record held for 54 years, until this May, when Post Malone placed nine tracks in the Top 20, including “Rich & Sad” at No. As this crumbling volcano of a song goes down, it leaves the listener with one last “It’s Charli, baby” whispered in their ear. –Eric Torres, Listen: Charli XCX / Christine and the Queens, “Gone”, The relationships in Clairo’s songs always teeter on the edge of chaos. But just because he’s not killing a circle doesn’t mean he can’t give it new life. Here are our picks for the best songs of the year. As always, Harding fashions her own unique mythology but remains evasive about its precise meaning; perhaps she doesn’t write to confess, but to pose uneasy questions. Hard to argue with the number one spot. The Best Lil Uzi Vert Songs. That’s Polo’s great gift: His prose is intricate and purposeful, but it’s the emotion that lingers. Because as long as there are rich pop stars who need real love, there will be songs about how they can’t afford to find it. The duo’s imperatives for action are certainly clear and timely, but “Ring the Alarm” shows that political music can be nuanced and brutally effective at once. Here, she effortlessly flips the specter of colossal menace into a warm embrace. Riding a steady current of crisply picked acoustic guitar and rippling piano, the song is crammed with references to ferrets and eggs, doves and nuts, peaches freshly harvested and hands reaching out of barrels. His voice was almost preposterously deep for his age, like some kind of mysterious cartoon villain, and mixed with the haphazard, bass-heavy production, the song transformed Brooklyn into a dystopian playground. “Bags” outlines the fight to stay present in the good stuff, even when your brain is fast-forwarding to the collapse. The 35 Best Rock Albums of 2020. She has spent her career shapeshifting between genres and personas, from solo folkie to barnstorming indie bandleader to Mark Ronson- collaborating pop singer. Malamente - Single. –Abby Jones, In the deceptively chipper “Wasted Youth,” Jenny Lewis lets us in on two sisters’ blacked-out, rock-bottom conversation about the recent death of their estranged mother, who was a drug addict during their childhoods. These are songs that playfully skewer the fashion world for its vanity and vacuity while secretly desiring to be part of it. But a funny thing happens as the song continues its endless build: It pulls you in. “I was just a placeholder, a lesson never learned,” they sing and sigh, like someone who’s grown all too accustomed to getting that “I think we should just be friends” text. The opening track of her second album, At the Party With My Brown Friends, it is Pacific Northwest indie rock at its finest—all quiet humming and watery guitar, mist and cold air—but it retains the redemptive quality of gospel. Beneath the cocaine-fueled drama, Fleetwood Mac found the poise to write an elegant pop masterpiece that used as many chords as the average Ramones song. But none of these things—pettiness, spite, Turks, Caicos—are the animating force behind Future’s music. “Staring at a screen/Makes me itch and scream,” Ali Carter yells. Considering the sheer amount of music released in the past decade, there's simply no way one could ever hope to listen to it all, let alone compare it. “I’m the runaway, I’m the stay-out-late,” she declares, tough and incandescent. All rights reserved. Public Playlists. The 10 Best Steely Dan Songs. The central refrain lulls like gentle ocean waves: “We will always sing,” Paul murmurs. But according to reports, some friends of Oliver’s saw the confluence as “divine timing,” the lyrics about a “moon river, wider than a mile” and “crossing it in style someday” ringing like a blessed premonition of their friend peacefully floating away. OutKast – B.O.B. The sparkling, Pi’erre Bourne-produced oddity has spawned countless freestyles and remixes, becoming a little phenomenon on its own. Ad Choices. The answer is love, of course. Why? Listen to Pitchfork's Best New Music now. Behind her, though, a synthesizer chirps like a second, excitable singer. Nudy proves a capable leading man, and few rappers sound more untroubled while detailing how they evade cops, but it’s his song in name only: Playboi Carti dominates with his spectacular, baby-voice verse. It rolls like a boulder down a mile-long hill, pushed by a synth-rock snare and a seething, roaming performance from Van Etten as she feels every single word. But on “ZORA,” she asserts that her selfhood is far more expansive than these labels, or any others thrust upon her, would suggest. –Alphonse Pierre, Listen: Pop Smoke, “Welcome to the Party”. Pitchfork is the most trusted voice in music. So “In My View” becomes a sinewy soul song that swings and sways while riding an undercurrent of tension and uncertainty. On “Daylight Matters,” from her delightfully eccentric fifth album Reward, she spins repetitive, circuitous speech patterns into delicate bridges and euphoric choruses. –Evan Rytlewski, There are biblical overtones to “In My View,” from Young Fathers’ third album, Cocoa Sugar. The funky bass riff and disco drums mock her distress, setting the scene for a dance where our heroine has no partner: “I ran to you and you know why,” she shouts at the empty barstool next to her. –Stephen Deusner. It was a coincidence; Ocean has made a habit of dropping songs untethered to any external schedule, preserving his shrouded, shamanic presence. On April 11, 1964, the burgeoning Beatles both topped the Billboard charts with “Can’t Buy Me Love” and set a record for the most songs in the Top 20 by a single artist, with six. His own music is a logical evolution of their writing, even more vulnerable and irrepressibly sad. “Remember when/That tree fell on your car?/Glass spilled/All over the yard,” warbles singer-songwriter and guitarist Catherine Elicson as the band collapses around her in streams of detuned synthesizers and guitars that sound like wind tunnels. In this pair’s hands, love is an infinitely unruly concept, however concise their words and simple their musical arrangement, which doesn’t thicken much beyond the yawn of an organ and some distorted guitar. She sings with a ferocity rarely heard in the easy-listening playlist bait of modern indie; her presence practically makes the entire band vibrate. –Laura Snapes, Listen: Perfume Genius, “Eye in the Wall”, NASA, probably the only popular U.S. government agency left, was everywhere this year: T-shirts and patches bearing its charmingly retro insignia became a bona fide trend, and Ariana Grande pulled its name for a sneaky sleeper hit from thank u, next. By using our website and our services, you agree to our use of cookies as described in our Cookie Policy. That sense of savoring small, perfect snatches of sun breezes through the song’s sax-flecked groove. The defining tracks of the decade, starring Robyn, Drake, Vampire Weekend, Daft Punk, SZA, and many more. And truly, Uzi is the only rapper that could confess on record to being a loyal viewer of The Big Bang Theory and still have it slap. “Flexin’ on these haters,” Uzi jeers, after rattling off all the designer labels on his person. Music reviews, ratings, news and more. –Paul A. Thompson. But things get really interesting mid-song, when the collapse referenced in the title occurs: a juddering tumble of drums that feels like an astrophysical rupture, time itself swirling down the cosmic plughole. & Rakim – " Paid in Full " / "Paid in Full (Seven Minutes of Madness Mix)" 20. –Sheldon Pearce, Listen: Purple Mountains, “Snow Is Falling in Manhattan”, To listen to Mannequin Pussy’s Marisa Dabice sneer, cry, wince, and roar her way through “Drunk II” is to step into her shattered psyche. Nowhere is this more true than on “Believe,” which examines the false promise of nostalgia while fully enveloped in its rosy glow. Politics, humor, and Palomo’s Mexican-American identity were already latent in Neon Indian’s discography, but this warped Spanish-language protest anthem finally brought them all brilliantly to the front. The single edit trims the song a bit; the best version appears on Georgia’s forthcoming album Seeking Thrills, out in January, and gives room for her staggering intro to poke through the gleaming synths and stereo laser sprays. “I got my hands on my face like Macaulay Culkin,” he spits at the top of the two-minute track. Yet it’s featherlight: Hval’s euphoria and divine hooks transform scholarly thought into pure pop. She narrates these end times with a wry resignation that’s nostalgic and tactile, dreamy yet prickly. Party? “These are vintage jeans,” he half-mumbles before offering a clipped affirmative: “Mhm.” The song is a subdued flex coupled with a borderline sleepy delivery. –Simon Reynolds, Over 11 riveting minutes, “Distortion” finds Mount Eerie’s Phil Elverum taking a series of plainspoken vignettes from his life and fastening them into a winding meditation on birth, life, death, responsibility, and resilience. In this vulnerable moment, she forgives herself for her faults and embraces her eccentricities: “You hide in the bones of a stock image,” she sings at the close of her chorus, her voice taking on a sudden operatic tremor. Glenn Gould - Bach: The Goldberg Variations. Projecting strength in moments of extreme fragility feels like it’s become part of her routine more recently; a very public breakup with her Hollywood ex was followed by the discovery of a medical condition anchored in her uterus. “Click click click click click/Makes me fucking sick.” A highlight of their Covert Contracts album on Get Better Records—company slogan: “for the queers, by the queers”—“Office Rage” employs a network of guitar lines more tangled than a messy router and drums like someone kicking a vending machine to liberate a trapped bag of chips. Jenny Hval: “Ashes to Ashes” 24. On “bmbmbm” (pronounced “boom boom boom”), they are puckish and aloof, stacking oblique lyrics and a warped sample of a wailing woman over a calm bass riff and steady drumming. The tongue-twisting, lip-smacking assonance of this irresistible single’s chorus—“In the kitchen, wrist-twistin’ like it’s stir fry”—makes crack preparation seem as harmless and wholesome as a cooking show. It’s a cinematic country ballad about being left alone with your loneliness, still roaming the empty streets but now searching for hope there. Stream songs including "Be Sweet", "Don't Judge Me" and more. The Pitchfork 500: Our Guide to the Greatest Songs from Punk to the Present is a book compiling the greatest songs from 1977 to 2006, published in 2008 by Pitchfork Media. Reggae. Although it’s set against a backdrop of action—the robbery in the chorus is detailed with the kinetic precision of a Brian De Palma film—its real drama is internal, as Polo G processes the toll that playing the villain takes on your psyche. Pulling double duty as both a body-positive banger and a party bop, “Juice” obliterates inhibitions to the point that listeners’ insecurities become as insignificant as the not-so-single men sliding into Lizzo’s DMs. Jay-Z – Crazy in Love ; Daft Punk – One More Time The tracks that lit up our year, starring Valee, Robyn, Migos, Tierra Whack, Troye Sivan, boygenius, and more. Whitney Houston – " I Wanna Dance with Somebody (Who Loves Me) ". Atop sparse beats and a hazy guitar, she sings poetically about the wave of self-actualization that hits after the end of a long-term relationship, noting that “the door slams hard behind you when you leave the house of judgement.” –Jillian Mapes, To hear him tell it, Mike Hadreas has a terrible relationship with his body. She’s put away the strings and pedal steels in favor of synth and organ, at times bringing to mind Siouxsie Sioux. On “Dirty Laundry,” being a broke, horny schmuck is the setup instead of the punchline, and Danny Brown kills. This is the stuff of real intimacy, of partnership, of creating a language and a life together. On “All Mirrors,” the title track of her latest album, Olsen introduced her latest (and perhaps greatest) incarnation: mighty goth sorceress. I dipped into Pitchfork's list of the top songs of the 2010s tentatively, not knowing what to expect. More of the best songs of the decade: http://p4k.in/vbMovjg Mercifully, on “Anna Wintour,” the rapper’s messy public persona yields the floor to a bracing showcase of her dexterity. Pitchfork's highest rated albums of all time. Exclaim! But that’s the thrill of black midi: They’re as unsure of where the muse will lead them as the listener is. The video, however, looked more like a Y2K-era screensaver on a desktop computer: a steady, slightly pixelated flow of distant stars in an endless black sky. –Jillian Mapes, As a joint thesis statement from two of rap’s biggest breakout stars, “Cash Shit” is almost suspiciously on-the-nose. In all its wounded grace, the song gets a chance at new life. “I Fell in Love,” a one-off single featuring the eclectic Brooklyn singer-songwriter Xenia Rubinos, is likely the most direct song either artist has ever made. Those who can only remember being teenage may smile at lines like “My soul? He does it a lot, perhaps with some irony, in “Life Is Beautiful,” a song originally written and released in 2015 and then gorgeously reworked for the emo rap star’s posthumous album, Come Over When You’re Sober Pt. –Michelle Kim, Yoshinori Mizutani’s cover photograph of vivid lime-green parakeets outside a drab urban building is ingeniously suited for Kasper Marott’s Forever Mix EP. Registriert seit: 18.03.2006. The 50 Best Albums of 2020. Once upon a time, listening to her music meant scouring all the references and layers to find the reasons for the apocalyptic dread in her voice, the slow-burning romance in her melodies, the nostalgic haze of her videos. Startseite › Foren › Fave Raves: Die definitiven Listen › Die besten Tracks › Pitchfork: The 200 Greatest Songs of the 1960s. Nudy is a perfect sidekick, Carti is a born star, and Bourne is the most daring rap producer working now.

Countless Skies -- Glow Reviews, Come Uscire Da Una Dipendenza Affettiva Con Un Narcisista, Evanescence Hello смысл песни, Drill Music Italia, Come Modificano Le Pistole A Salve,